Monday, August 1, 2016

#RPGaDay August 2016: Day 1 How do you roll?

#RPGaDay for August 2016 has started!  On to our first question of the day.



Read dice, dice app, diceless, how do you prefer to roll?

I prefer real dice.  There is something about rolling physical dice that I love.  The feel of dice clicking in my hand, the daring of fate as I shake my enclosed fist, and the anticipation as I let the dice tumbling are all paramount to my gaming experience.  In our online session we used to use dice roller apps but we now let everyone use their own dice.

I will amend this entry by saying that one of the most fun sessions that I had as a GM was when I did not roll a single die during the entire session.  We were play-testing the new Delta Green and I just sat back and watched the chaos ensue.  Whichever way you roll, play well and have fun!

My brother's set of dice from his Basic D&D set

Tuesday, July 26, 2016

Kickstarter Shoutout: Gaslight Victorian Fantasy for 5e

I just wanted to give a shoutout to a project on Kickstarter.  The project is called Gaslight Victorian Fantasy and it is by Battlefield Press, Inc.  This is a weird Victorian urban fantasy setting.  There is an OGL version (which I'm not sure is in print) and a Savage Worlds version.  The current Kickstarter will update the setting and stats for D&D 5th edition.

Victorians were into some weird crap.
The setting reminds me of the book Anno Dracula by Kim Newman,  in which vampires take over Victorian society.  Of course, there are also rules for pixies, werewolves, and others.  At minimum I will use this to add beast men to my 5e games.  However I would love to run a weird Victorian game along the lines of Fallen London.  I am currently loving the 5e rules and I love the fact that companies are using them for different settings.

If you like the idea of Bobbies chasing alchemists through foggy alleyways, then check this project out.


Friday, July 22, 2016

Tolkien and Magic Items

I have a confession.  I have not read all of The Lord of the Rings.  When I was a teenager I only made it 100 pages into The Fellowship of the Ring and I never finished it.  As an adult I finished The Fellowship of the Ring and read two-thirds of The Two Towers.  During this time the Peter Jackson films were coming out, so I saw those and never went back to finish the book.  My current summer project is to finally read through The Lord of the Rings.  I am currently 50 pages into The Return of the King.

Any of you grognards remember this adaptation?

During my re-read of LotR I am fascinated with Tolkien's treatment of magical items.  Magical items have become common and cliched in a lot of fantasy rpgs.  I know that I am guilty of passing out magic items like candy in my Pathfinder campaign.  In Tolkien's writing, magic items have meaning.  For one thing, they are rare.  There are not a lot of rings floating around in Middle Earth.  Each item has a whole legend written about it.  Also, they are imbued with power.  People feel the power around these items.  Just looking at one fills people with awe and wonder.  In my next fantasy game I will copy Tolkien and have rare magic items that actually mean something.  Now back to my book!

Monday, July 11, 2016

#RPGaDAY is coming in August 2016!

Last year I participated in the #RPGaDAY event.  I had a great time posted about rpgs.  How it works is every day there is a question related to the tabletop rpg hobby.  You respond to it and post it with the hashtag #RPGaDay.  This year the event will happen again in August.


This year the event is hosted by BrigadeCon.  For more information check out their site.

Friday, July 1, 2016

Adventures in Play-by-Mail Gaming

The summer drags on with heat and tedium and I look for new gaming pursuits.  I am joining a play-by-mail game.  For those who do not know, play-by-mail is just what it sounds like; opponents playing a game by submitting their turns through the mail.  One of the first play-by-mail games was chess, as it is easy to write down a chess move and send it to an opponent.  Soon, more complex games were played through the mail.  The board game Diplomacy was played with nations mailing their turns to a referee, who would then adjudicate the moves and mail the results back.  Later on, games were designed for the play-by-mail format.  A play-by-mail game could accommodate many players at once, and the game rules were taken care of by a moderator (often a computer).  Play-by-mail exists today, although many companies use email for turns and some are experimenting with browser based games.

What do you get from the play-by-mail experience?

I love all types of games.  I play rpgs, wargames, board games, and card games.  I enjoy them all.  I love to figure out strategies of conquest and then implement them on the battlefield.  I love to match wits against an opponent who is trying their best to beat me.  Play-by-mail offers the chance to engage in games with many opponents.  Play-by-mail games can offer huge simulation games where  opponents control various nations at war.  Because the game is moderated by someone else, I only have to focus on my strategy.  They also have a temporal quality to them.  Orders are submitted and then I have to wait to see the results of my planning.  The wait time brings about anticipation.

The game that I am trying is Duel II.  The concept of the game is that you own a stable of five gladiators and each turn you fight them in the arena.  You decide which warriors to fight, how to equip them, and what strategy they should adopt in the ring.  You fill out a turn sheet for each fighter, slip it into an envelope, and send it off to the company.

A turn sheet for Duel II.
One of the reasons that I chose Duel II is that the company that runs the game still uses actual letters and sends your turn results in the mail.  Many play-by-mail companies have moved to accepting turns by email and emailing you the results.  I wanted to have the tactile  experience of filling out a sheet, as well as the thrill of ripping open an envelope to see my results.  Electronics and computers have provided a lot of innovation for gaming, but there is something special about holding a sheet of paper and inking a plan of action.

Recommended Resources

Reality.com is the company that runs Duel II.  They run two other play-by-mail games which are wargames that take place in the Hyborian age and Forgotten Realms.

Playbymail.net is a website devoted to play-by-mail games of the past and present.  They have a list of active games and the publish a free pdf magazine, Suspense and Decision, that is dedicated to the play-by-mail hobby.

I will bring more resources to your attention in the future!


Thursday, June 23, 2016

Game Review: Fantasy Wargaming; The Highest Level of All

Fantasy Wargaming is a role playing and wargaming set of rules.  The book says "compiled and editied by Bruce Galloway", as was a collabarative writing.  The blog Swords & Dorkery has a great post about the history and writing of the book.  This review is based on a read-through of the text. No attempts were made to play this game.




What is it?

This book is an attempt to create a role playing game based on the historical Middle Ages.  Characters can interact in a European medieval world with Christianity and/or the Norse gods as the dominant religion.  The authors create rules for social standing, how magic would work in Christian/Nordic Europe, combat, and monstrous creatures.  The rules are convoluted and the book feels like someone took their masters thesis on the Middle Ages and turned it into a role playing system.  The modeling of the medieval Christian paradigm into a game system (complete with stats for God and saints as well as calculations for length spent in Purgatory) is impressive.  Overall, this would make an interesting resource for game designers or those interested in the Middle Ages but the system is too complex play.  I will provide a brief synopsis of each chapter

Revelation (Introduction)

The introduction of the book introduces the concept of fantasy role playing.  The  intended audience of the book is miniature wargamers, and the author tries to convince them to give fantasy role playing a try.  The book shows its age when the author talks about how they first tried Dungeons and Dragons.  They state that they found "a fairly basic set of rules, called 'Tunnels and Trolls...'".  Tunnels and Trolls is a different game from D&D, although it began life as a D&D variant.  The authors are British and T&T was one of the first rpgs to be sold in the UK.  However, this shows how early in the hobby this book was written, as Dungeons and Dragons is at this point synonymous with fantasy role playing.

Chapter I, City, Court, and Country

This chapter describes life in the Middle Ages.  The authors write about where people live, what they did, etc.  Feudalism is described.  There is a lot of information about medieval Europe.  A GM or player will gain insight into the history of the Middle Ages.  The strength of this chapter is that the role-player will understand the medieval world better from reading it.

Chapter II, Myth, magic, and religion

In my opinion this is one of the most interesting chapters.  The authors discuss magic and present their theory as to how they can model magic and the supernatural in Christian Europe during the Middle Ages.  Magical energy comes from belief.  The Ethereal Plane exists, and this is home to Heaven, Hell, Valhalla, fairies, and the like.  There is a discussion of the Church and of how magic and magic-users were viewed in the Middle Ages.  Pagan magic is examined, as well as the differences of magic in the Dark Ages and High Middle Ages.  Actual game mechanics are not present in this chapter.

Chapter III, The Book of Physiologus

This chapter talks about monsters and fabulous creatures of the Middle Ages.  There are no stats, this is pure description.  The authors discuss how monsters appear in the stories and literature of the time period.  I particularly liked the comparison of Teutonic vs. Celtic dragons.  There is also talk about Medieval bestiaries and creatures from heraldry.   The main point of this chapter is that if one is going to run an authentic Medieval game, then the source of creatures should be the actual Middle Ages. Barrow Wights are in, orcs are out.  Dwarfs (not dwarves) are in, except they kidnap mortal women.  If it is seen on a tapestry or shield, the players can kill it.

Chapter IV, Mortal Combat

This chapter describes weapons, armor, and fighting techniques of the Middle Ages.  There are some pictures of weapons, castle plans, and a glossary.  This chapter is short and like chapter one the strength of it is in helping players and GMs understand the details and context of historical medieval combat.

Chapter V, Moorcock and More ...

This chapter contrasts strongly with the rest of the book.  From the introduction through the first four chapters the tone of the book has been one of, "Do you know what would be really cool?  D&D except if it took place in the real Middle Ages!"  The descriptions in the book strive for historical accuracy, even when discussing myth and magic of the time period.  In the section on character creation female characters are forced to take penalties to their stats and are forbidden from all combat.  Chapter V discusses fantasy literature to read and use for inspiration.  Tolkien is mentioned, as are a few series about King Arthur by T.H. White and Mary Stewart.  More than one series is mentioned that are about future civilizations and seem to cross the border into science fiction.  Anne McCaffrey's Pern series is mentioned.  The contrast is that many of the books talked about are either high fantasy or science fiction.  They take place on worlds vastly different than our own, or are fantasy tales full of strange creatures and stranger magic.  The choices seem odd for a book that spends so much time trying to ground its rules in the Middle Ages of our world.  However, we gain a glimpse into the author's taste for fantasy literature back in 1981.

Chatper VI, The Compleat Enchanter

This chapter is full of advice for the game master.  The new GM is told to use fiction and the real world as templates for the game world.  The authors reiterate that the default setting of Fantasy Wargaming is Medieval Europe, and therefore the GM does not have to create a new world.  Of course, the GM can create their own world if they want.  There are some interesting pieces of advice, such as letting a player don the role of an npc.  The idea of traps is deconstructed, as traps lying dormant in dungeons would likely be victims of rust and rot and may not work properly.  Most of the advice is useful and relevant today.

What the heck is going on in this picture?
Chapter VII, Playing Rules

Here is the meat of the game.  There are rules for character creation, doing stuff (picking locks, etc), combat, magic, gods, and monsters.  The rules for Fantasy Wargaming are byzantine and complicated.  There is a detailed chart for the character's social class, where the character can be anything from slave to emperor.  There are optional rules for rolling your character's astrological influence and how it changes their states.  Female characters are banned from all combat.  Characters can have the disadvantage of being a heretic or being Jewish (since it is the Middle Ages).  That is just character creation.  The rules of play have many idiosyncrasies.  Here is an example of how to calculate a character's leadership score.


Figuring out your character's combat maneuver bonus in Pathfinder is child's play in comparison.  Speaking of leadership, the party of characters has a leader who tells everyone what to do.  There are in game rules for challenging the leader.  There are also rules for temptation, which fall in line with the medieval view of sin and temptation.

The rules for doing things in game involve rolling on a chart with percentile dice.  One interesting note is that the charts have results for partial success as well as success.  I thought that the idea of a partial success or success with complications was a modern game design concept, and here it is in a game book from 1981.  Combat is also resolved by rolling on a chart, and there is a chart for weapons breakage.  When consulting the charts there are many modifiers that are added and subtracted in order to find the difficulty of the roll.  The book prints these modifiers as a sentence rather than a vertical list, so I found it confusing to read through them.

There are also a set of miniatures wargame rules for large scale battles.  Of all of the rules in the book, these ones seemed the most playable.  After those there are the rules on magic.  The author(s) do give a list of spells and they also give a system for creating spells and rituals.  Again, these rules are very complex and when reading them you sense that the authors knew and discussed a lot about actual medieval magical practices.  There are rules for divine magic, including how much mana a human sacrifice will get you.  You can also calculate how long a soul will stay in Purgatory.  The rules are detailed and are impressive in that the author(s) show their knowledge of the subject.  If someone mapped out how medieval people thought religion would produce spells, blessings, curses, and miracles, this system models it well.  There are stats for God, saints, demons, and Norse gods.

The chapter ends with a bestiary.  All monsters are from the Middle Ages, i.e. people actually believed in them, they were from actual myth, or there was a picture of one in a book or on a tapestry.  Therefore, dwarfs lust after mortal women and players can fight venomous sheep.  Stats are given for each creature.  If I use any part of this book for a campaign, it will probably be this section.

Overall Thoughts

This book feels like it was written by a hobbyist, however the author's voice changes from chapter to chapter as the book was a collaboration.  The best features of the book are how it turns the medieval worldview into a game system.  If you want to know how well God would respond to a cleric's plea according to how pious he was, then this game can simulate that for you.  This also means the game disenfranchises female characters and forces the players to deal with issues of antisemitism.

So who is this book for today?  Should a group try and run it (answer - no)?  Is it worth it as a reference?  Here is my opinion.  If you want to run a game based in the real Middle Ages, there are better designed games out there that will do that, such as Pendragon or Ars Magica.  I think that this book would be of most interest to the collector, game historian, and designer.  The collector and game historian can look at this book as an early attempt by amateurs to create their own realistic version of D&D.  The designer can mine the book for some interesting ideas and admire the authors passion while avoiding the confusion wrought by the game.  If you are interesting in obtaining your own copy do a quick internet search.  I grabbed a used copy off of Amazon.












Sunday, June 12, 2016

I Have Been Rolling Up Some Tunnels & Trolls Characters!

Tunnels & Trolls is one of my favorite role playing games.  It showed me that a role playing game could be simple, fun, and suitable to solitaire play.  Recently I have been reading through the Deluxe Tunnels & Trolls rules.  I was hesitant at first as 5.5 T&T was an edition that I loved.  I bought the 7th edition and I always felt that 5.5 was a tad bit better.  Deluxe T&T takes everything that I like about 5.5 and refines it.  I will need to convince my group to run a few sessions of dT&T soon.

My copy of Buffalo Castle, where many a character has met their death
One of the best ways to get a feel for rules is to play the game.  Fortunately T&T has a long tradition of providing solitaire modules for times when you can't find a GM or group.  Tunnels & Trolls solo modules follow the choose-your-own-adventure format, where you read a paragraph, are presented with choices, and then turn to a certain page or paragraph depending on what you pick.  Saving throws and combats take place within the solo module, as T&T combat can be run by one person.

I have rolled up three characters so far using the Deluxe Tunnels & Trolls rules.  I love the ease of character creation.  Roll eight stats, calculate combat adds,  roll for height, weight, and starting gold, equip, and the character is ready for adventure.  I have run my three unlucky warriors through Buffalo Castle (one of the most famous solos) where they have all perished.  I have run two through the solo adventure The Abyss, where they have a chance of exiting the afterlife.  Both failed.  I like the changes that have been made to the warrior class, and I have been able to try out the poison rules for the first time.

While solo adventures are a fun diversion between game sessions, I find that their best value is that they are a great way to learn and master the rules of the system.  When I first read the T&T rules I liked them but I was uncertain how they fit together.  After one run through Buffalo Castle I understood how the rules worked and the tone of the game.  Tunnels & Trolls is a game of risk and reward.  Characters can achieve great glory or be crushed quickly under the heal of a monster.

There are free Tunnels & Trolls solos available on the web.  You can try one out if you are curious as to how the system works, or just want a quick dungeon crawl experience.

Buffalo Castle is available on the publisher's main website.  You will stumble around  a castle, fighting monsters and having encounters.  Goblin Lake is one of my favorite solos, as you play as a goblin trying to win favor in your tribe.  Both of these solos use the 5.5 rules which are close to the Deluxe T&T rules.  Know that Deluxe T&T has amped up the power level for warriors in the new edition.